HAUNT FUZZ W/ CLICKLESS SWITCHING
The Old Blood Noise Endeavors Haunt is a gated fuzz that is capable of a wide array of fuzz sounds. From the restrained and nuanced light fuzziness to granular and biting saw sounds, many textures and character traits can be summoned with the Volu..
MINIM REVERB DELAY AND REVERSE
Minim Reverb Delay & Reverse
Immediate Ambience Machine
Looking back on an inspiring year of collaboration with Datachoir, Old Blood Noise Endeavors created Minim, a new pedal built from the foundation laid out by Rêver. Inside is a ..
Two years since its initial release, Alpha Haunt Fuzz gets a makeover. The pedal explores the vast variety of sounds you can coax from one fuzz circuit, from open overdrives to squashed sputters. Now in a more pedalboard-friendly package, the Alpha Haunt continues to offer users its unique..
BL-44 VARIABLE CLOCK REVERSE EFFECTORActively contending with the existential construct of “time,” Old Blood Noise Endeavors presents the BL-44 Reverse Variable Clock effector, a reverse effect that allows the user to change the clock speed of the entire sonic system. Through a simple cont..
BLACK FOUNTAIN V3 + TAP TEMPO
After nearly six years of production, we have expanded our flagship pedal, the Black Fountain Oil Can Delay. The Black Fountain captures the sound of vintage oil can delay units, which processed the instrument signal through actual oil in order t..
There's a gentle hum, a soft light somewhere in the darkness. And it grows. A little hope that you're not the only one in a vast universe. Isolated, alone and dying. When there's truly nothing making noise, what do you hear? Is it nothing? Or is it the softness, the growing of a voic..
DWELLER PHASE REPEATER
What if a phaser could remember itself? Dweller remembers. It remembers far too much. From familiar phase and vibe sounds to resonant random step filtering, warm delays, and previously unheard in-betweens, the Dweller is capable of countless sonic textu..
Tweaking the platform of our Fault overdrive/distortion, we’ve carved out room for greater gain range, voice control, and clipping options in the Fault Version 2. The Fault remains a great overdrive with footswitchable second gain stage and three band EQ, and now excels as a clean boost an..
Building effects around a foundation of flanging, the Flat Light is the latest in the Old Blood Noise Endeavors pedal line. From pitch shifting flanger to highly resonant metallic sounds to reverb-like delays and recognizable swooshes, the Flat Light will induce motion to your sound no mat..
Turning our predilection for parallel signals toward the world of filters and widening out to full stereo, we are pleased to unveil OBNE’s first digitally-controlled-analog pedal.Float boasts two independently controllable filters and copious capabilities for motion. Utilizing the two filt..
What began as a simple request for a vocal version of an Old Blood effect spiraled into a multi-function device with 10 new effects, versatile in/out and send/return sections oriented toward any instrument you want to throw at it, and ample control over all elements. It’s the new multi-too..
OBNE AB/Y SWITCHER
The second addition of the OBNE Utility Line, the classic AB/Y Switcher. It's simple: sometimes you need two outputs, sometimes you need two inputs. And then you need to switch between them. Or use them both at the same time. That's it. It's not magic...
OBNE HEADPHONE AMP
Designed with our friend Brian Hamilton from smallsound/bigsound for OBNE demo boards, we thought it a reasonable idea to offer every bedroom player a way to not annoy those around them. Simply plug in the output of your pedalboard to the headphone amp, pl..
Out of the hazy, sand blown distance, something comes forth. Moving slowly, moving softly, it is seen and just as quickly lost. It echoes in the open air, a voice on the wind. It’s a Procession. A cavalcade making its way through the deserts of a distant planet. The sounds of another ..
REFLECTOR CHORUS V3
An update on the popular modulation noisemaker pedal. Reflector V3 is a densely lush chorus coupled with three modes of modulation. This is a chorus with a bent, an ephemeral voice floating between aural dimensions.
Controls include Rate and Depth fo..