The CAMOFLANGE Flanger was designed as a collaboration with DAN COGGINS (Former LOVETONE Pedal designer) as his second modulation pedal design since his Lovetone pedal days. This fully Analog Flanger was designed from the ground up to provide the most incredibly versatile flanger sounds wi..
The CAMOFLANGE Flanger MKII is here and more than a visual change we have made some internal changes too. We have adjusted the internal voltage regime to offer higher voltage (18v) and use higher headroom BBDs. Crucially though, all the magic that was the original Camoflange is still prese..
The DEEP OGGIN was designed as a collaboration with DAN COGGINS (Former LOVETONE Pedal designer) as his first modulation pedal design since his Lovetone pedal days. This fully Analog Chorus/Vibrato was designed from the ground up to provide the most incredible 3 dimensional chorus sounds w..
PRODUCT DETAILSTHORPY FX ER-2With the Thorpy FX ER-2, you're bringing a thoroughly modern spin on the classic Univibe effect to your pedalboard. Predating chorus and phaser pedals, Univibe is a particularly unique sounding modulation effect that sounds somewhat like a hybrid of the previou..
I was asked to create the FALLOUT CLOUD by a number of vintage pedal enthusiasts I know. They were after a Triangle era style pedal that would work with a variety of guitars (Humbucker and singlecoil's including P90's) and amps and be bombproof so it could be gigged. The brief was simple, ..
The FIELD MARSHAL is a MKII version of the Big Cheese fuzz. Smaller, louder and more tonally flexible than the original it sits perfectly on a modern pedalboard. The tonal flexibility is provided through a tonestack bypass foot switch that allows you to have two different fuzz sounds from ..
FLIR BUFFER
Sometimes you just have to do something for the sheer fun of it. So to celebrate the news of impending baby boy Thorpe to our family we decided to make a Mini Buffer pedal called FLIR. Besides looking rather badass in its tiny little shell, the FLIR Buffer also has the added ..
The GUNSHOT was designed to be the overdrive to beat all others. Sonically most overdrives can sound thin or lack a certain “something” when compared to a real valve amplifier. It’s an unfair comparison really, but it is possible to solve this problem. This is where the GUNSHOT comes in, ..
HAVE BLUE BOOST -LIMITED RUNThe Have Blue is part of our “Vintage Reimagined” series and is a germanium Boost pedal that plays nicely with your pedalboard. The Have Blue Boost sound is based on a highly modified Rangemaster boost circuit for a more versatile vintage style sound. This..
HEAVY WATER is a creation designed to meet the requests we were receiving to release the Boost side of the DANE as a standalone pedal. So not one to disappoint, we went ahead and did just that….but in typical Thorpy fashion it went one step further. Therefore, HEAVY WATER has two sides in ..
The PEACEKEEPER is our take on a low gain overdrive designed to suit all guitars and all amps whilst delivering the sweetest on the edge to crunch tones you have ever heard. Hyperbole aside, this pedal has some very cunning tricks up its sleeve, by combining a post gain active Tr..
The PULSE DOPPLER PHASER is the first design ThorpyFx has released since Dan Coggins became a full time member of the team. This fully Analog Phaser is a MKII version of the Doppleganger, taking all that was great about that vintage pedal, mixing it up, distilling it and releasing a more c..
This is a pedal I describe as an Analog amp emulator. The project came about initially as we were asked to create a pedal that emulated a rare amp called the Selmer Treble and Bass 50. The player in question (Lee Harris - Saucerful of Secrets) wanted a pedal to provide him with the vintage..
TACIT BLUE FUZZ -LIMITED RUN The Tacit Blue is part of our “Vintage Reimagined” series and is a germanium Fuzz pedal that plays nicely with your pedalboard. The Tacit Blue Fuzz sound is based on a highly modified fuzz face type circuit for a more versatile vintage style sound. T..
The BUNKER is a MKII version of the Brown Source drive pedal. It is smaller, louder and more tonally flexible. The tonal flexibility is provided through a texture control that allows you to have whichever type of drive sound you want from original Brown Source style drive through to thicke..