A MINI DRUM MACHINE YOU PLAY GUITAR OR OTHER INSTRUMENTS THROUGH!
CORRECTABLE TAP TEMPO
DRUM SOUNDS CAN BE EXTERNALLY TRIGGERED – GREAT FOR MODULAR SYNTHESISTS!
EASY SIDE-CHAINING – BEAT-SYNC’D
SELF-OSCILLATING DELAY FOR DUB-LIKE EFFECTS
LOW-PASS FIL..
The Tensor gives you live reverse and tape stop effects, pitch shifting, time stretching and hold functions that you can combine in creative ways. Slow down, speed up and rewind in real time. Stretch or compress time with no pitch change. Loop, overdub, and randomly slice phrases up to ..
The Rock Your Repaired Amp 808 pays tribute to a classic loved by blues players across the globe. The 808 has seen many adaptations throughout the years, but the RYRA crew believes that the original 808 version is the best. The 808 is built by hand in the RYRA shop. With attention to compo..
The Rock Your Repaired Amp Tri-Pi is my favorite version of the early Tri-Muff. This recreation has been thoughtfully designed. The Tri-Pi Muff is built by hand in the RYRA shop. With attention to components, true bypass, and even comes with top mounted jacks! This is a pedal for players w..
PRODUCT DESCRIPTION
The BeatBuddy is a drum machine in a stompbox, or a drummer pedal for short. Use this drum pedal for guitar and many other instruments. Further, we’ve meticulously recorded professional drummers and paired their samples with an algorithm that resul..
PRODUCT DESCRIPTION
The BeatBuddy MINI 2 drummer pedal is a more compact and affordable version of the award winning BeatBuddy drummer pedal. It’s used by School of Rock, Taylor Robinson Guitar, Frost School of Music (University of Miami), and more as a tool for efficient..
The C4 Synth from Source Audio unites all the sound construction tools of a classic Eurorack
modular synthesizer and packages them in a compact and easy-to-use effects pedal for guitar or
bass. It is essentially a modular synth in a box with unprecedented tracking abilities, lightn..
The Neuro Hub v1 unites all your One Series and Soundblox 2 pedals into a thoroughly integrated multi-pedal system. This breakthrough in effect technology introduces Source Audio’s new scene saving functionality, enabling the creation of up to 128 single or multi-pedal presets (i.e. “scene..
OVERVIEW
Sync your modulation rate on-the-fly with the Source Audio External Tap Tempo Switch. The Tap Tempo Switch is compatible with all Source Audio Ones Series modulation pedals. Use it to tap out the LFO speed of the Vertigo Tremolo, Lunar Phaser, Gemini Chorus, and Mercury Flange..
High Horsepower, Low Profile.
Zuma R300 is the highest horsepower, most technologically advanced low profile effects pedal power supply. You get clean, rock-steady power for your 9V, 12V and 18V effects pedals in a pedalboard friendly, expandable package, giving you room to grow. Zum..
Strymon Iridium Modeling Pedal
The Strymon Iridium is a new class of amp modeling based on Strymon’s Matrix Modeling™ process. An all-in-one replacement, the Iridium comes with 3 amp and 9 cab models allowing for a mix and match of classic tones without a tube or speaker in sight.
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Note: Price includes Strymon mandated $10 shipping.
Everyone Has a Favorite.
Want to store a preset of your Favorite settings on your Brigadier, Deco, DIG, El Capistan, Flint or Lex? Or remotely tap tempos for your BigSky, Deco, DIG, Flint, Mobius or TimeLine? Add our tiny Tap Favorite..
Sounds From The Expanse.
Create instant retrofuture atmosphere with evocative vintage delay tones. Activate your imagination with evolving ambient echoes and warm, organic feedback with just the right amount of grit. Sculpt your soundscape in real time as Volante becomes an extension and..
Based on the Korg MS-20, the M3 brings the sounds of 70s monophonic synthesizers without the modular complications.
Instead of dual oscillators, the M3 employs 3 digitally controlled oscillators for super fat synth sounds that never go out of tune.
Eleven oscillator combinations cover ..
The Octasynth’s origins date back to the early days of Subdecay and our love of old analog synth tone. Over the course of six years this effect was designed and redesigned more a dozen times until we got everything right – Perfection is not simply an issue of tone. In a stompbox it’s abo..