In the outer recesses of space lays Zeta-6 quadrant's largest junkyard. Here, gravity-challenged junkers float about rubbing their rusted hulls together, while the sounds of these frictions reverberate into the worlds around them. Want your tone to sound like two abandoned spaceships crash..
Okay Brainiac, it’s time to put down that graphing calculator and get to work decoding your brand new Data Corrupter!
The Data Corrupter is a monophonic analog PLL harmonizer with modulation. It takes your input signal and brutally amplifies it into a crushing square wave fuzz tone that ..
Can we ask you a serious question? When’s the last time you turned up your favorite fuzz pedal to anything but eleven? If there’s one true thing about rock n’ roll, it’s that it sounds best cranked all the way up. But where do we go from here? We go one louder. Enter the Erupter.
The E..
Presenting Hizumitas From EarthQuaker Devices!
Hizumitas was designed for the one and only Wata from the legendary experimental band Boris, one of the heaviest bands ever to come out of Japan. The trio of guitar sorceress Wata, drummer and vocalist Atsuo, and double-neck bassist, gu..
Our flagship fuzz pedal can be found on thousands on pedalboards around the world and has rocked countless stages from stinky suburban basements to Madison Square Garden. Twice.
The Hoof is loosely based on the classic green Russian fuzz circuit and features a hybrid Germanium/Silicon ..
The Park Fuzz is known as the Colby Fuzz in Europe and Canda.
The Park Amplification company, originally started by Jim Marshall himself, has almost as much history as the actual Marshall name. As the story goes, Jim Marshall entered a distribution deal for his amp line in 1965, but th..
This item is located in our Kingston MA location Music UnlimitedThe NYC original. Hendrix and Santana were among the first to get a piece of the Pi, and for over 40 years the Big Muff Pi has been defining the sound of rock guitar. Revered by contemporary guitarists and rock legends for its..
Guitar gods have used the cocked wah sound to create monster riffs that have earned a permanent place in the rock lexicon. That required finding the sweet spot in their wah pedal’s sweep. The Cock Fight lets you achieve that cool cocked wah sound without the wah pedal. Tune in the tone you..
Back by overwhelming demand... in a mini package! The cult classic Green Russian Big Muff first shook the ground in the mid-1990s. Since then it has been heralded by guitarists and bassists for its devastating low-end and unique sludge and sizzle. The Green Russian Big Muff creates a huge ..
The finest harmonic distortion-sustain device developed to date for the electric guitar player, now in a compact pedal. The Little Big Muff Pi is identical to our Big Muff Pi but smaller. We took the classic Big Muff circuit and simply shrunk it without any change to the sweet violin-like ..
From cool sample rate conversion effects to gated fuzz-like tones, the Electro-Harmonix Mainframe Bit Crusher pedal delivers immense sonic textures that remain highly playable — and musical. By digitizing your signal and reducing the sample rate (with reduction ranging from 48kHz–110Hz), y..
Electro-Harmonix took the Big Muff Pi circuit and simply shrunk it without changing its rich, creamy, violin-like sustain and sound. The Nano Big Muff Pi works and sounds identical in every way to our classic NYC Big Muff Pi. Get a piece of the pi for yourself!
-OPERATING INSTRUCTIONS-..
The Op-Amp Big Muff is our faithful re-creation of the late ‘70s circuit. The circuitry of the Op-Amp Big Muff – sometimes also referred to as the IC or V4 Big Muff – differs from the traditional transistor-based Big Muff circuit in that it uses operational amplifiers (op-amps) to achieve ..
A faithful reproduction of the highly coveted 1973 Violet Ram’s Head Big Muff heard on countless classic recordings and famous guitar solos. It delivers the unmistakable articulate string separation and exceptional sustain that’s made the V2 Big Muff so sought after. Now with a few choice ..
The Ripped Speaker is a modern fuzz with old school roots and pays homage to one of the ways that early, distorted guitar and bass sounds were made. At low fuzz settings the pedal emulates the lo-fi distortion sounds of yesteryear, the kinds of sounds created by a razor blade applied to a ..