The Octasynth’s origins date back to the early days of Subdecay and our love of old analog synth tone. Over the course of six years this effect was designed and redesigned more a dozen times until we got everything right – Perfection is not simply an issue of tone. In a stompbox it’s abo..
After a year in development we present The Prometheus DLX. An analog filter with digital control. We made sure to not build in any artificial limitations. The filter sweep goes above and below normal guitar frequencies, and works well with other instruments such as bass and synthesizers. S..
The Proteus mkII – Our plug and play filter, with a new design closely related to the original Filter Sample/Hold. The resonance control adds a new dimension to the effect that goes from subtle to greasy gritty synth tones. We also added an external switch allowing you to change from low-p..
A super-compact adaptation of his Tech 21 Ultra Bass 1000 Signature head, the DP-3X also recreates the sound dUg originally developed way back in the ‘80s, merging high-end distortion with low-end bass. Prior to his signature head, this involved running a guitar amp and a bass amp together..
Geddy Lee has been performing without onstage amps and speakers since the Test for Echo Tour in 1996, favoring major household appliances instead. Wanting to streamline his gear for new projects, Geddy initially partnered with Tech 21 to design a Signature SansAmp, the GED-2112. This chall..
The ‘60s and ‘70s are widely recognized as the heyday for professional recording console design. The EQ and preamp sections of these near-mythical vintage consoles are highly sought after, even to this day. Some of the most iconic guitar and bass tones in the history of recorded audio were..
Much more than just a direct box, the SansAmp Bass Driver DI is capable of dialing up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between. Three different outputs to drive power amps, recording desks, PA mixers, or simply enhance your current rig. Cont..
A true hands-on professional, Steve Harris not only formed Iron Maiden (in 1975!), he writes the bulk of their songs, plays multiple instruments, mixes recordings, directs and edits both live and production videos, and sings. As if that wasn’t enough, Steve somehow finds time for British L..
Geddy Lee Signature SansAmp YYZ Pedal
Seeking to streamline and simplify his equipment setup for new projects, Geddy Lee partnered with Tech 21 to design a signature rackmount SansAmp, the GED-2112. This challenging collaboration involved distilling a truckload of gear into a single rack..
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Good things come in small packages, and now Trace Elliot® can add small yet powerful to that saying with the introduction of the ELF bass amplifier. Weighing just 1.6 pounds, this revolutionary amp is small enough to fit in your back po..
In our efforts to revive the awesomeness of Funk and Soul music from the 60s & 70s, but also the gear used in this era, we came up with the Phonkify!
Two modes of juicy envelope filter (Smooth & Nasty) which turns into wah at the minimum 'sensitivity' setting, combined with a uni..
While the early version of the BMP's all used the same circuit schematic several different combinations of parts values were used giving distinct flavors to the different versions of the early BMP’s. The Violet Ram’s Head version was produced in the early to mid-70’s and was named for the..
We took the best of four different Ram’s head circuits (yes there were four!) to create a girthy distortion monster that will plaster a smile on your face every time you plug it in.
Yes the enclosure is a phenomenal recreation of the original units, but none of that matters if the pedal..
The Fuzzolo is a raging beast of a fuzz. We managed to squeeze this wild thing into a small box to save real estate on pedal boards, and because we could. The Fuzzolo has two controls: Volume (post gain), and Pulse Width. The Fuzzolo is equally devastating on guitar and bass...
PaPacked with knobs that let you control everything from tight, radically fuzzy sounds that gate off instantly when you stop playing, to intermodulating oscillations that fight for control of your guitar as your notes decay, to shortwave radio sounds, ripping velcro and octave-like fuzz. I..