The Cash is a dynamic overdrive. Its weight depends on the weight of your hand. So, the harder you strike, the heavier the drive gets. Also, its filter is very versatile, it goes from a beautiful full-bodied bass to a knife sharp treble.
Out of our first pedals this golden bar was the ..
Mr. Brown is our classy distortion. This pedal has so much class that we recommend you to plug it in for the first time smoking a cuban cigar accompanied by a 18 year old bourbon, while writing down some blues wearing a velvet tuxedo. After all, it will give you that fat tone you thought y..
The White Widow is our silicon fuzz. He is the son of a special version of the Big Muff Pi of the late 70s, the heaviest and weirdest of Big Muffs, who, two decades later, seduced an entire generation of guitarists who were so fond of the pedals that spent their entire concerts staring at ..
We've taken all that you know and love about our TC Electronic delay sounds and poured it into a footprint too good to be true. There's more magic per square inch In Flashback Mini Delay than you'd find in a Smurf. The industry standard, most revered TC Electronic delay tones, plus TonePri..
A classic reproduction of the 1971 Colorsound Overdriver. The Vick Audio Overdriver is a bass and treble boosting overdrive that is a virtually identical to the 18 volt Colorsound Power Booster that was made famous by Dave Gilmour of Pink Floyd. The only real difference is the additi..
A straight forward overdrive that goes from mild, to approaching that blown out territory of almost fuzz-ish sound. Designed to compliment the front end tube amp, while capabable of mixing wonderfully with the dirty channel to get that extra punch and grit.
Tint - A sub..